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Old State House

The Old State House, the center of public authority in colonial Boston, occupied the city's most prominent intersection. King (now State) Street led from the Old State House to Long Wharf. Washington Street, the only street connecting Boston to the mainland, crossed King Street here.

Maginfy icon photograph of Old State house
Maginfy icon Colored print of British soldiers firing on crowd with text.
Maginfy icon A s.w. view of the State House in Boston, drawing of state house and populated streets.
Maginfy icon A postcard from the mid-1900s depicts the historic reading of the declaration of independence from the old state house on July 18th 1776
Maginfy icon Old State House as viewed from behind, sometime between 1890 and 1905
Maginfy icon Old state house dwarfed by a skyscraper
Maginfy icon East boston tunnel subway station underneath the Old State House

The wooden Town House of 1657 stood here, its ground floor open to merchants, until the Great Fire of 1711. Two years later, the first bricks were laid for new offices for the Massachusetts colonial government.

The Old State House, the oldest public building in Boston, bears on its gables a gilded unicorn and lion. These symbols of English dominion were removed after the Revolution and later replaced by replicas. The building occupied Boston’s most prominent intersection. King (now State) Street led from the Old State House to Long Wharf. Washington Street, the only street connecting Boston to the mainland, crossed King Street here.

Settlement and commerce grew around the building. Colonial governors looked down to Long Wharf from the balcony of the State House. Famous scenes of the American Revolution unfolded at its doorstep.

In 1798, Charles Bulfinch’s gold-domed State House opened atop Beacon Hill to begin a proud new era for Boston. The colonial State House passed on to other uses and, in 1881, to the protection of The Bostonian Society.

The Old State House appears as the backdrop in Paul Revere’s engraving of the Boston Massacre. When it was built, the Old State House overlooked bustling wharves. Ships were the source of Boston’s wealth. They also connected Boston politically and commercially to England and other countries and colonies. A different pulse now hums beneath the Old State House. Every day, thousands of commuters emerge from beneath the venerable building, where two of Boston’s busy subway lines intersect in the city’s large financial district.

Crowded Boston planned its subway system in the Victorian era, when human and horsedrawn traffic overwhelmed its main streets. Boston was the first American city to build a subway, and the fourth city in the world, after London, Glasgow, and Budapest. The first segment of the subway system, now part of Boston’s Green Line, opened just uphill from here in 1897.

Resources

  • Revolutionary Spaces

    Revolutionary Spaces connects people to the history and continuing practice of democracy through the interwoven stories of Boston’s Old State House and Old South Meeting House.

    Visit

Essays

    The Boston Massacre Victims

    by Edward Castleman
    This essay was written as a student project for HIST 7250: Practicum on the Place-Based Museum at Northeastern University in Fall 2024.

    The Boston Massacre of March 5, 1770, which happened just outside this building, is one of the most well-known events in American history and is often seen as one of the key events that led to the American Revolution. However, many people cannot tell you exactly how many people died in the Boston Massacre or who they were. Let’s take a deeper look at the victims of the Massacre themselves in order to see them as real people and not just abstract figures.

    The Immediate Victims

    Three of the five Boston Massacre victims died immediately. The first was Crispus Attucks. Attucks was of African and Indigenous descent and was an escaped slave from Framingham, Massachusetts. After he escaped his enslavement, Attucks began working as a sailor, and, at the time of the Massacre, he was living in the Bahamas. He was in Boston working on a ship headed to North Carolina. He was in the front of the crowd during the Massacre, and when the soldiers fired into the crowd, two musket balls hit him in the chest, killing him instantly. Attucks has been discussed throughout the centuries following the Massacre as the first victim of the Revolution, and since the mid-nineteenth century, his mixed race ancestry has been used to show how people of African descent have been an integral part of America’s history since the beginning.

    The second immediate victim was Samuel Gray. Gray was a Boston resident and rope worker. He worked at Gray’s Ropeworks, a ropemaking factory that was located in modern day Post Office Square. He also had a reputation for being a notorious brawler who had been involved in a fistfight with British soldiers just days before the Massacre. Some sources even claim that Gray was the first man who was shot, but most historians agree that Attucks was the first death.

    The third immediate victim was James Caldwell. Like Attucks, Caldwell did not live in Boston at the time of the Massacre. Instead, he was working on a ship called the Hawk that was docked in Boston before heading to the West Indies. Caldwell was only seventeen years old when two musket balls hit him in the back, killing him almost instantly. Since he was not from Boston and had no family in the city, his body was placed at Faneuil Hall until it was buried at Granary Burial Ground.

    The Next Morning

    On the morning of March 6, 1770, the fourth victim of the Boston Massacre perished from his wounds. This man was Samuel Maverick, a seventeen-year-old apprentice living in the North End. Maverick’s mother was widowed, so he became an apprentice to Isaac Greenwood and, as part of his apprenticeship, lived with Greenwood and his family. On the night of the Massacre, Maverick was eating dinner with some friends when he heard bells ringing. Assuming there was a fire in the city, he ran to the heart of the city: the Old State House. He saw the commotion in the street, and when the shots broke out, a musket ball hit him in the stomach.

    Nine Days Later

    The final official victim of the Boston Massacre was Patrick Carr. Carr had moved to Boston from Ireland in order to find a better life. Although Boston is famous today for its Irish heritage, at this time Irish people in the colonies were very prejudiced against, largely since many of them were Catholic. He also heard the bells ringing in the city and went to investigate with a friend of his and was hit by a musket ball in the stomach while crossing the street. Unfortunately common for the time period, it took many days for Carr to die of these wounds, and there was no way to spare his life. What’s interesting about Carr’s death is that since he was alive for over a week and lucid, he was able to give his testimony about what happened, unlike the other victims. What is even more interesting is that Carr said that the blame did not lay on the soldiers or the colonists. He said that since the guards were vastly outnumbered and being hit with rocks and other items, they could have fired much sooner but chose not to. To the dismay of the Sons of Liberty, Carr claimed that the famous Massacre was more of an unfortunate accident and tragedy.

    Men and Martyrs

    Despite the household name of the Boston Massacre, few people can tell you the names of the men killed, despite there only being five of them. Since it happened, the Massacre, and by extension the victims, has been heavily politicized and twisted into propaganda. The victims have become martyrs, and in many cases, their unique identities have vanished. They have stopped being Crispus, Samuel, Patrick, James, and Samuel and have instead become “the victims.” They even share a single headstone in Granary Burial Ground instead of individual ones. It’s important for us to remember that historical figures like these were people above all other things, no different from you and me. It’s important to keep this humanity in history, otherwise, the victims stop being people altogether.

    This painting depicts British soldiers firing on an unruly crowd. A Black man is seen getting shot in the forefront of the painting. A British soldier is laying on the ground.

    This is a mid-nineteenth century depiction of the Massacre. It is more accurate than the famous Paul Revere painting.

    a picture of a tombstone that bears all five of the victims' names

    A nineteen-twenties photograph of the victims’ shared tombstone.

    This picture depicts a poem from the year of the Massacre. Five coffins are at the top of the page with each victim's initials on them. The five victims' names are said in the last line of the poem.

    A poem written to commemorate the Massacre the same year it happened. Each of the coffins have the initials of the vicitms on them, and the victims’ names are said in the last stanza.

    All information for this essay comes from Revolutionary Spaces, the National Park Services, and the Boston Massacre Historical Society.

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